Another interesting application of the WiConnect system is the seamless integration of subwoofers. To achieve this, connect a cinch cable from the subwoofer output of an AV receiver or amplifier to the LFE input of the transmitter, then connect the LFE output of the receiver to the LFE input of the subwoofer using a second cable. Alternatively, for models from Velodyne and subwoofers from many other manufacturers, you can use the stereo connection. The cabling is the same as for transmitting a full stereo signal, i.e. the RCA cables lead from the WiConnect receiver to the stereo input of the subwoofer.

Another way to connect multiple subwoofers is to pair the transmitter with up to four receivers, enabling each subwoofer to be controlled by a separate receiver. Similarly, greater distances between active speakers can be bridged, and active speakers for the rear channels can be elegantly integrated.

It quickly becomes apparent that sound quality has not been compromised for the sake of convenience here. Billie Eilish's vocals on the album 'Hit Me Hard and Soft' come into their own, with every breath audible. In 'The Greatest', the acoustic guitar is reproduced with vivid clarity and perfectly timbred body. The Velodyne system then delivers deep bass lines with absolute precision in Len Faki's 'Podium Mix' of Dustin Zahn's techno track 'Stranger (To Stability)', allowing the driving beat to fully unfold its hypnotic effect. There is no loss of sound quality whatsoever compared to a direct RCA connection between the Mytek Brooklyn and the VTL IT-85, and the same can be said for Eydís Evensen's challenging album 'Oceanic Mirror': the grand piano is presented in relief on a realistically dimensioned, transparent stage and can be experienced with its full dynamic range and rich timbre. Crystal-clear, sparkling notes ring out against a jet-black background, and the intimate atmosphere of these compositions is immediately touching.